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Product Reviews:
The Right Word in the Right Place at the Right Time: Wit and Wisdom from the Popular Language Column in the New York Times Magazine |
Rating: 5 (out of 5)
Summary: Not as dry as you would expect
Comments: I expected that this compilation of his columns on English usage and grammar would be another excercise in [overanalysis] of the language from an old, out-of-touch crank, similar to Buckley's masturbatory celebration of his own great English, "The Right Word" or George Will's angry, irrational screeds against Ebonics. however I was pleasantly surprised to see that this 85 year old off-the-docks Jewish Conservative who is best known for his cranky anti-liberal editorials, is really quite knowledgeable about current popular culture and its effect on the language.
The section on Hip-Hop/Rap Influence on the language is what interested me the almost all. Safire supplies valuable insight into the nuances of "izzle"-talk, 1st popularized by hip-hop artist Snoop Dogg. He also presents a thorough analysis of the origins and meanings of Rap artists' names, reaching back to SugarHill Gang and covering rap artists all the way up to Nas. Did you know that Nas is not just an acronym for network attached storage? Me neither. How in the world would an artist come to choose "Nas" or "Snoop Doggie Dogg" or "Lil Bow Wow" for a name? Well, William Safire is just the man to answer that question. He is especially humorous when spoofing hip-hop terms which have been over-used into obsolescence , and yet linger on in the stunted vocabularies of deluded lay people who have no understanding of the culture and are always a year or 2 behind the times. The essays "Bye Bye Homegirl in Da House", "Yo Yo Yo..No No No", "Hold on to Yo MC Hammer CDs, Boyeeee" and "You Go Girlfreind. I Mean It, Go On, Get Out Of Here" were hilarious.
One major low point of the book was the overwrought study of Missy Eliot's "Get Yer Freak On". Safire expends nearly 2 pages dissecting Elliot's use of suburban subjunctive clauses and east coast participles to the point of absurdity. How he chose this particular selection to expound on is puzzling. Although "Get Yer Freak On" is undoubtedly1of the groundbreaking pieces of recent times, there are countless compositions by Eminem, NWA, Public Enemy, or even 2 Live Crew that are more deserving of such intense review.
Nonetheless, considering his advanced age and extreme conservative political leanings, it was indeed refreshing to discover that a crotchety old crank like Safire still got game. |
